| BWV 769 - Canonic Variations
(see "organ works: Partitas and Variations on Chorales") | . |
| BWV 1072 - Canon trias harmonica (Kanon zu acht Stimmen)
a 8, in contrary motion | Written 1754. |
| BWV 1073 - Canon a 4 perpetuus | Written "Weimar, 2 Aug 1713". |
| BWV 1074 - Canon a 4
"completely invertible; ded. L. F. Hudemann" | Written "Leipzig, 1727". |
| BWV 1075 - Canon a 2 perpetuus
"ded. J. M. Gesner" | Written "Leipzig, 10 Jan 1734". |
| BWV 1076 - Canon triplex a 6
"3 simultaneous canons a 2, each in contrary motion; written for Haussman portrait and Mizler's Societät der Musicalischen Wissenschaften; 1087 incl. earlier version." | Written circa 1746. |
| BWV 1077 - Canone doppio sopr'il soggetto (Kanon zu vier Stimmen nebst Soggetto als Bassstimme)
"2 simultaneous canons a 2, each in contrary motion; Leipzig. 1087 incl. earlier version" | Written 1747. |
| BWV 1078 - Canon super fa mi a 7 post tempus musicum (Kanon zu sieben Stimmen nebst einer Basso-ostinato-Stimme) | Written 1749 "Leipzig". |
| BWV 1079 - Musical Offering (Musikalisches Opfer)
"2 Ricercars, a 3, a 6; 10 Canons; sonata, fl, vn, bc; instruments not fully specified." | Written "May-July 1747 (Leipzig, 1747)".
Scoring: fl, 2 vn, bc, kbd |
| BWV 1080 - Art of Fugue (Der Kunst der Fuge)
"Series of fugues (contrapuntal), mostly a 4, on same theme. leipzig c1745-50" | Written between 1742 & 1749.
Scoring: keyboard (bei Satz 5 - 7 das Pedalcembalo, bei Satz 12 - 18 2 Cembali) |
| BWV 1086 - Canon concordia discors (Kanon zu zwei Stimmen)
a 2, in contrary motion | . |
| BWV 1087 - 14 Canons on the First Eight Notes of the Goldberg Ground
This includes early versions of BWV 1076 and 1077. The "8 notes" are found in the structure of the Aria of BWV 988. | . |